逆向的经典化：菲利普·迪克死后的声誉经济

论文摘要

美国科幻作家菲利普·迪克（Philip K. Dick, 1928-1982）生前虽获雨果奖，却长期被主流文学界忽视；其死后声誉的戏剧性逆转，使他成为“逆向经典化”的独特案例。借助《银翼杀手》等电影的改编效应，美国文库与企鹅经典等出版机构的收入再版，鲍德里亚与詹明信等学者的持续阐释，以及大众媒体的形象建构，迪克从边缘类型作家跃升为全球文化符号。以声誉经济理论为分析框架，探讨在迪克死后声誉的确立与传播过程中，电影工业、出版界、学术界与大众媒体如何将各类资本转化为迪克的象征资本，并最终实现其经济价值的持续增值。

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